Sunday, 4 August 2013

Sheikh Yasin al-Tuhami - Vol. 3 - Sufi music from Egypt



Another cassette from Egypt: this time one by perhaps the greatest of Egyptian munshidin.


Sheikh Yasin al-Tuhami – Egypt

Sheikh Yasin al-Tuhami - Egypt
'Your spirit is mingled with my spirit, as amber is mingled with perfumed musk.'
Mansur  al Hallâj
Sheikh Yasin declaims the great Sufi poets. In a theatrical way, he searches for harmony through suffering, a suffering that is heard in his voice, broken with the emotion of a thousand sleepless nights. He uses his voice to accentuate words torn from another Islam. This is the Islam of the streets, the villages, the gallabiyas and the shisha; the last bastion of the poetry of the people of the Nile.
In his singing, the mythical 'habibi' (darling) of Egyptian song becomes a repeated incantation. The Sufi breath meanders between life, death, rebirth, hope and despair.
In the songs of this munshid (singer of poetry), there is the idea of something unfinished. In his way of fashioning a word or a rhyme, Sheikh Yasin seems to lose himself in a labyrinth that makes him an eternal pilgrim in his poetry.
Sheikh Yasîn al-Tuhâmi is unquestionably the most important Sufi munshid in Egypt today. Born in 1948 Yawata, a village community near Assiut, Sheikh Yasin had a traditional religious education learning Koranic recitation, the religious sciences and classical Arabic, all subjects that would enhance his career.  As no family member had ever been a munshid and there was no opportunity for him to learn the inshad at school, he therefore learned this art in his own way, by listening in at local Sufi gatherings.  He was also influenced by famous munshidin he heard on the radio, as well as Koranic singing and the great stars of Arab music such as Nasr al-Din Tubar, Mustafa Isma’il and above all, Umm Kalsoum.
Today Sheikh Tuhâmi is booked months in advance with more than 100 cassettes and CDs on the market, and a large number of private recordings on video and audio circulate among his fans. From his home in the charming small vilage of Hawatka near Assiut, he travels across Egypt for more than 200 nights every year, visiting Sufi gatherings from Aswan to Alexandria. His innovative style, his performance and his success have spawned many imitators that form a veritable  madrassa (school) based in the middle of Egypt and radiating his influence out across the country.

Saturday, 3 August 2013

Amin al-Dishnawi - Vol. 2 - Sufi music from Egypt


Here another beautiful cassette from Egypt. 


Sheikh Amin AL-DISHNAWI

Égypte



Sheikh Amin al-Dishnawi est aujourd'hui un personnage clé du petit monde des mûn-shiddin (chanteurs de l'inshad suffiya, le chant soufi de Haute-Égypte). Le mûnshid est le dernier grand personnage du monde populaire égyptien. Il est à la fois homme de foi, chanteur, poète, comédien, prophète et un peu magicien. On le traite avec déférence mais exigence, car, comme tout artiste en représentation, il doit constamment donner le meilleur de lui-même. Âgé seulement d'une trentaine d'années, Amin al-Dishnawi a déjà atteint une grande renommée proche de ses aînés, tels Ahmad al-Tuni ou Yasin al-Tuhami. Mais chacun de ces personnages possède son propre caractère. Au délire scénique d'Ahmad al-Tuni et au déchirement ténébreux de Yasin al-Tuhami, s'oppose la simplicité presque naïve du Sheikh Amin al-Dishnawi.
Amin al-Dishnawi possède l'apanage parfait de l'homme saint, il est affable et poli, (dans le sens arabe adab qui signifie bien se comporter avec son entourage). Le rayonnement de son regard fait mieux comprendre comment la recherche extatique n'est, peut-être, qu'une tentative à retrouver l'émerveillement de l'enfance.
Les magdoub (fous de Dieu ravis par l'extase) et les mudrib (aspirants à la présence de Dieu), aiment la sainteté que dégage Amin al-Dishnawi, cette faculté à révéler le divin qui facilitera l'état de transe, lors du dhikr, la danse rituelle soufie. Amin al-Dishnawi est censé posséder une très grande "baraka", celle qui peut rejaillir sur toute une assemblée en quête d'exceptionnel.
Car le mûnshid est un avant tout un transmetteur: c'est par son inspiration et son habilité à déclamer les grands textes poétiques, que l'auditoire obtiendra le sentiment de délivrance propre à ces cérémonies. La révélation, dans une société traditionnelle, reste le moteur fondamental de l'inspiration, à l'opposé de notre monde profane animé par l'idée de l'art comme émanation de la créativité humaine.
from: http://www.africultures.com/php/?nav=personne&no=4893

See also: http://www.bolingo.org/audio/arab/munshidin/dishnawi.htm

Sunday, 28 July 2013

Abdul Halim Jaffer Khan - Sitar Ecstasy - LP published in India in 1983


Another LP by Abdul Halim Jaffer Khan. Earlier we posted already four of his LPs and a set of two cassettes. See here.

Side 1:
Raga Jaitshri


Side 2:
1.  Raga Hemavati
2. Dhun: Soofiana Samaa



Wednesday, 17 July 2013

Al-Haj Abd ar-Rahman ben Moussa (1908-1997) - Al-Qur'an al-Karim - TCK 681 - Cassette from Morocco


And again another cassette of beautiful Quran recitations by Haj Abd er-Rahman ben Moussa, based on so-called "Andalusian" melodies, a style which has almost completely disappeared. See last post for more details.

Side 1:
1. Surat 36: Ya Sin
2. Surat 63: Al-Munafiqun

Side 2:
1. Surat 37: Al-Saffat
2. Surat 84: Al-Inshiqaq
3. Surat 85: Al-Burudj 

Sunday, 14 July 2013

Al-Haj Abd ar-Rahman ben Moussa (1908-1997) - Al-Qur'an al-Karim - TCK 680 - Cassette from Morocco


We post here one more cassette by Haj Abd er-Rahman ben Moussa with beautiful Quran recitations, based on so-called "Andalusian" melodies, a style which has almost completely disappeared.
Before we had already posted three preceding volumes from this series (TCK 676, TCK 677 and TCK 679 and Vol. 1 and Vol. 60 of a complete Qur'an on 60 cassettes.

Side 1:
Surat 20: Ta Ha

Side 2:
Surat 19: Maryam


A complete Qur'an by this outstanding Qari (Qur'an reciter) can be downloaded here:
This seems to be a recording different from the one of which we had posted the first and last volumes.

Sunday, 7 July 2013

Damodarlal Kabra (Sarod) & Jyotish C. Choudhury (Surbahar & Surashringar) - Ragas - Sunrise and Sunset - LP published in US in 1968


Damodarlal Kabra, older brother of the famous slide guitar player Brij Bhushan Kabra, was a well-known Sarod player in the 1960s and 1970s. He was one of the early students of Ustad Ali Akbar Khan.
Jyotish C. Choudhury was a Surbahar and Surashringar (Surshringar) player from Benares.
Recorded in India by Deben Bhattacharya.

Side 1:
Damodarlal Kabra (Sarod) - Raga Natabhairava (20:36)


Side 2:
Jyotish C. Choudhury 
1. Surbahar - Raga Yaman-Kalyan (13:18)
2. Surashringar - Raga Bhimpalashri (7:05) 





Monday, 24 June 2013

Folk Music from Khorramabad, Lorestan, Iran - Cassette published in Iran end of 1980s or beginning of 1990s


Chaharomin Djashnvareh Mousiqi Fajr 
(4. Fajr Music Festival)

Khorramabad - Mahali (regional or folk music)


Beautiful recording of regional music from Lorestan. The folk music of Lorestan is mainly played on Kemencheh and Tombak. Both instruments are played here very differently from their use in classical Iranian music. On the second side one hears also an 'Ud (or Barbat). Good singer, good musicians. American edition of a cassette originally published in Iran.

"Khorramabad (Persian: خرم آباد‎ - Khorram Abād, Luri: خورمووه - Xormuve; also Romanized as Khorramābād, Khoramabad, Khurramabad, Khorram Abad and Khur Ramābād) is a city in and capital of Lorestan Province, Iran. At the 2006 census, its population was 328,544, in 75,945 families. Khorramabad is situated in the Zagros Mountains. The city population is predominantly Lur and Lak, although the two groups are closely related."

Monday, 17 June 2013

Jalal Mohammadian & Ensemble Tanburnavazan Shams - Regional Music from Bakhtaran (Kermanshah) - Cassette published in Iran end of 1980s or beginning of 1990s


Chaharomin Djashnvareh Mousiqi Fajr 
(4. Fajr Music Festival)

Bakhtaran - Mahali (regional or folk music)
Grouhe (ensemble) Tanburnavazan Shams
Khanandeh (singer): Jalal Mohammadian

Another beautiful recording by Seyed Jalaleddin Mohammadian, named here Jalal Mohammadian.  Accompanied by Tanburnavazan Shams, an ensemble of Tanbur and Daf players. A while ago we had posted another cassette by the same singer accomapnied by the same ensemble. See hereAmerican edition of a cassette originally published in Iran.


"Kermanshah Province (Persian: استان كرمانشاه‎, Ostān-e Kermānshāh ) is one of the 31 provinces of Iran. The province was known from 1969 to 1986 as Kermanshahan and from 1986 to 1995 as Bakhtaran."

Thursday, 13 June 2013

Folk Music from Zahedan, Sistan and Baluchestan province, Iran - Cassette published in Iran end of 1980s or beginning of 1990s


Chaharomin Djashnvareh Mousiqi Fajr 
(4. Fajr Music Festival) - Vol. 4

Zahedan - Mahali (Regional or Folk Music)

Beautiful recordings from Zahedan, Sistan and Baluchestan province, Iran.

Download

"Zahedan (Persian: زاهدان‎, also Romanized as Zāhedān, Zahidan, and Zaidān; also known as Zāhedān-e Yek; formerly known as Dowzdāb, Duzdāb, and Duzdāp) is a city in and the capital of Sistan and Baluchestan Province, Iran. At the 2006 census, its population was 552,706, in 109,488 families. "Zahedan" is the plural of the Arabic word zahed meaning 'pious'.
Zahedan is located near Pakistan and Afghanistan, only about 41 km south of the tripoint of the borders of the three countries, at an altitude of 1,352 meters above sea level and at a distance of 1,605 km from the Iranian capital of Tehran. The most famous tribes in Zahedan include the Keikha, Shahraki, Mir, and Birjandi.
The Demographics of Zahedan's inhabitants are largely ethnic Baluchi who speak the Baluchi language and Sistanis who speak Persian sistani and yazdi, khorasani. There are also smaller numbers of Brahuis and Pashtuns.
Zahedan lies east of the Kavir-e Loot desert. The city was part of the historic region of Sistan (Persian: سیستان), situated today on the borders of southeastern Iran and southwestern Afghanistan. One portion is part of the Iranian province of Sistan and Baluchestan. The other portion is part of the Nimruz Province of Afghanistan."
from: http://en.wikipedia.org/wiki/Zahedan

Monday, 10 June 2013

Folk Music from Bojnoord, North Khorasan, Iran - Cassette published in Iran end 1980s or beginning of 1990s


Chaharomin Djashnvareh Mousiqi Fajr 
(4. Fajr Music Festival)
Folk Song - Bojnoord
(Bojnoord Mahali)

Beautiful recordings of music from Bojnoord in North Khorasan. Mostly bards (Bakhshis) accompanying themselves on the Dotar. American edition of a cassette originally published in Iran. See here a cassette of Turkmen music from the same festival we posted recently.


"Bojnurd (Persian: بجنورد) is the capital city of North Khorasan province, Iran. It is about 701 km from Tehran. At the 2006 census, its population was 172,772, in 44,217 families. It is also spelled Bojnūrd, Bujnūrd, Bojnoord or Bujnurd.
The city is quite famous for its multicultural background. Many people speak at least 2 different languages including Persian, Tati, Khorasani Turkic, Kurmanci Kurdish, and Turkmen. Intermarriage between said ethnic groups is common.
The city is famous for its Turkmen horses and professional horse training centers. People from all over the world often come over to visit these highlights." 

Friday, 7 June 2013

S. Balachander (1927-1990) - Marvellous Melakarta Melodies - Album 1 - LP published in India in 1970


Side 1:
Extempore Melodic Improvisation of "Shuddha Madhyama" (F Natural)
Melakarta Ragas
1st Melakarta - Kanakaangi (From Chakra I)
9th Melakarta - Dhenuka (From Chakra II)
17th Melakarta - Sooryakaantam (From Chakra III)


Side 2:
Extempore Melodic Improvisation of "Shuddha Madhyama" (F Natural)
Melakarta Ragas
20th Melakarta - Nathabhairavi (From Chakra IV)
30th Melakarta - Naagaanandini (From Chakra V)
34th Melakarta - Vaagadheesvari (From Chakra VI)