Mirror and Song - A collection of 28 cassettes of regional and religious music of Iran published in Iran, recorded in 1994 - Cassette 27: Music of the Qashqai (Fars) & from Hawraman (Kurdistan)

Side A:

Music of the Qashqai - Ashiqi Music

Singer accompanying himself on Kemencheh  and a Tombak player

Side B:

1. Music of the Qashqai - Sarbani Music (that's what I read)

A singer accompanied by a Ney player

2. Music from Hawraman - Kurdistan

Vocal 

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Note: The Qashqai are a nomadic tribe of Turkish origin living mainly in the province of Fars.

Mirror and Song - A collection of 28 cassettes of regional and religious music of Iran published in Iran, recorded in 1994 - Cassette 21: Music from Kurdistan

Side A:

Music from Kurdistan - Sanandaj

Dhikr (Zikr) Ritual of the Qaderiyye Khaneqah 

Side B:

1. Music from Kurdistan - Sanandaj

Dhikr (Zikr) Ritual of the Qaderiyye Khaneqah (continuation)

2. Vocal - I can't decipher what and from where in Kurdistan this is

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Mirror and Song - A collection of 28 cassettes of regional and religious music of Iran published in Iran, recorded in 1994 - Cassette 20: Music from Kurdistan

Side A & Side B:

Music from Kurdistan - Sanandaj

Qaderiyye Khaneqah Ritual

Khalife Haj Mirza Aqa Ghowsi

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This cassette has been published on CD in 2015 with a good booklet in English and Farsi by Mohammad-Reza Darvishi:

Khalife Hâj Mirzâ Âqâ Ghowsi (Vocal & Daf) & Qâderi Sufi Music Ensemble of Kurdistan - Qâderiyye Khaneqah Rituals, Sanandaj, Kurdistan - Regional Music of Iran 56: The Zekrs of Qâderiyye Khâneqâh in Sanandaj - The group of Great Dervishes from Sheykh Mohammad Kasnazâni’s Qâderiyye (59:13), MAHOOR, M.CD-433

"Qâderiyye, one of the most important Sufi orders, is ascribed to Abdulqâder Gilâni (Jilâni) and has many followers in Iran, Iraq, Turkey, Syria, and a vast area from India to North Africa and even Eastern Europe. Their main center is in Kurdistan, Iran. Their followers in Iran are in Kermânshâh, Baluchestân, and several other places.

Zekr ritual takes place on Monday and Thursday nights in Khâneqâh. Dervishes enter the place after having Vozu (partial ablution); they perform a two-Rak’at prayer called Tahiyyat (in order to respect the place), they kiss the flag and the Qurân of the Khâneqâh (in order to consecrate themselves); they shake hands with the khalife, who is the conductor of the ritual, then sit down, and start reciting the rosary . After half an hour panegyrists begin to play the daf and sing songs praising God, Prophet Mohammad, his descendants and other saints. At this moment the dervishes go into trance and they all get enthusiastic, this takes almost half an hour. Then they say a Salavât (prayers for praising God, Prophet Mohammad, and his descendants) and they all sit on their knees in a circle and start saying Zekr or Tahlil. At this stage, all the dervishes and the khalife repeatedly say the following zekrs: Lâ elâha ellallâh, Astaqfirullâh, Yâ Hu, Yâ Hayy, Yâ Qayyum, Yâ Dâ ’em.This step also takes half an hour. Then it’s time to say Qiyâm Zekr (prayers while standing up) or Samâ’ when the dervishes uncover the heads to let their long hair swirl from one side to the other, and along with the daf and tâs music they start saying Zekr-e Hayyallâh , and gradually reach the state of ecstasy. While saying Qiyâm Zekr, the dervishes ask for the khalife’s permission to do some extraordinary things, such as eating glass, blade or stone; pricking their bodies on daggers, skewers, or any other sharp metals, etc. This part ends with praying and reciting Fâtehah.

Qâderiyye followers also perform Samâ’ with daf and tâs music on some other occasions, such as welcoming the Order’s sheykhs, promoting the Order out of the Khâneqâh, and performing some holy rituals like “Pir Shâliyâr” in Orâmân.

Daf: The daf is the main musical instrument for the rituals in Qâderiyye Khâneqâh in Kurdistan. Although the musical culture of Iran’s different areas is very much entangled with the daf, its association with Kurdistan -at least after Qâderiyye Order was established by Sheykh Abdulqâder Gilâni ( 471-561 Ah), and because of the Order’s followers particular use of this instrument - has been even more significant. The daf has been given the following names in different areas of Iran through time: Dap, Bâter, Dezire, Dub, Dâyere (and different altered dialectical forms like Dâriye, Diyâre, and Dayare). In Arabic language it is known as Sammâ, Qarbâl, Qarbil, Bandir, Teriyâl, and Mezhar. Doff in Arabic, Dap in Persian, or Daf as it is commonly called these days, along with all the above mentioned names, all refer to the same musical instrument that was named differently in each area and period of time.

Ritual Performers: Khalife Hâj Mirzâ Âqâ Ghowsi: leader, solo singer, and daf player, Abdorrahmân and Alirezâ Ghowsi: daf players and zâkers, Hoseyn Moshiri, Tofiq Behjuri, Azizollâh Gerâmiparvar, Abdullâh Pazhuhande, Mohammad Ahmadi, Heydar Khedri, Aziz Qassâbi, Ali Shâhpasande, Mohammad Bivâre, Rashid Balâyi, Nasrollâh Oliâyi and Sâleh Ja’fari: Zâkers." Mohammad-Rezâ Darvishi

Excellent, recorded in 1994.

Khalife Hâj Mirzâ Âqâ Ghowsi was a well-known performer already present on the double CD 'Kurdistan – Zikr et chants' by Jean During, published by Ocora – Radio France in 1994 (out of print for years), There are also two ealier CDs from Mahoor. See below. 

And one with a strong Dhikr by another Khalife:

As always, all these CDs can be obtained from: info@raga-maqam-dastgah.com  

Seyed Jalaleddin Mohammadian & Seyed Khalil Alinejad - Ashnayane Rahe Eshgh - Mystical music from Kermanshah, Iran - Cassette from Iran

Seyed Jalaleddin Mohammadian, a singer from Kermanshah, was in the 1980s and 1990s a quite well known classical and mystical (Irfani) singer. He published a couple of cassettes (partly republished as CDs) of classical Iranian music and several cassettes (only one of them published also as CD) with the typical mystical or Irfani music from Kermanshah in Iranian Kurdistan, based on the music of the Ahl-e Haqq sect for which the Tanbur (a long-necked lute) is sacred and plays an important role in their rituals. But in contrast to the ritual music of the Ahl-e Haqq, which is a solist music of a master Tanbur player singing mystical poems from their tradition, Jalaleddin Mohammadian and some other singers like Shahram Nazeri used Sufi poetry by some of the great Persian Sufi poets like Hafiz and Rumi (Molana) and were accompanied by an ensemble consisting of several Tanbur players and several Daf players - the Daf is the big Kurdish frame drum originally used in the Sufi rituals of the Qadiri dervishes. Here we present a very beautiful cassette from the mid 1980s by Seyed Jalaleddin Mohammadian and the famous Tanbur player Seyed Khalil Alinejad (1968-2001). They are accompanied by an ensemble of Tanbur and Daf players.

Side 1 (28:27)
Side 2 (28:59)

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Note that on the cover a Tar is pictured, but the instrument played is the Tanbur.

Here a foto of Seyed Khalil Alinejad with his Tanbur.

Raga Maqam Dastgah (contact: info@raga-maqam-dastgah.com) carries a huge selection of CDs of classical Iranian music, music of the Ahl-e Haqq and a number of great Tanbur players. They also have several CDs with the Dhikr rituals of the Qadiri dervishes from Iranian Kurdistan, the origin of the big frame drum Daf.