Here a box of four cassettes with wonderful recordings from a private collection. These recordings were also released the same year as four LPs. Our dear blogger friend Bolingo posted them in mp3 format in 2010.
Showing posts with label Raga Puriya. Show all posts
Showing posts with label Raga Puriya. Show all posts
Tuesday, 25 December 2018
Ustad Amir Khan - Memoral Evenings with Ustad Amir Khan Saheb - A box of 4 cassettes released in India in 1989
Labels:
Amir Khan,
India,
Indore Gharana,
Khayal,
Raga Bageshri,
Raga Bairagi,
Raga Charukeshi,
Raga Darbari,
Raga Jog,
Raga Madhu Kauns,
Raga Miyan Malhar,
Raga Puriya,
Raga Ramdasi Malhar,
Raga Shuddha Kalyan
Sunday, 9 December 2018
Hirabai Barodekar (1905-1989) - Raga Puriya & Raga Kedar - Recordings from All India Radio
Here two beautiful recordings broadcast in 2002 by All India Radio and recorded by our friend KF. He made a CD out of these recordings and created the covers. Many thanks to him.
Wednesday, 7 November 2018
Budhaditya Mukherjee - Raga Ahir Bhairav & Raga Puriya - LP released in India in 1979
Here the artist's first album on The Gramophone Company of India. One can hear here the artist's proximity to Ustad Vilayat Khan. He plays in Raga Puriya the same composition as Vilayat Khan did on an LP in 1976. Budhaditya's version seems almost like a copy. But even if so this a great album.
The complete education of Budhaditya Mukherjee took place under his father Bimalendu Mukherjee, who was a reprentative of the Imdadkhani Gharana.
Tuesday, 14 March 2017
Thursday, 15 November 2012
Older Masters of Rudra Veena (Been) - Part II - Ustad Sadiq Ali Khan (1893 -1964)
Sadiq Ali Khan (1893-1964), a renowned Veena player, was born in Jaipur. He
studied at home mainly under his grandfather Ustad Rajab Ali Khan. He was a
court musician of several states including Jhalawar, Alwar and Rampur. He was
expert in Alapa and liked depth in music. Unlike many other musicians he
disliked percussion competitions. He had nine children by his first wife, but
unfortunately, all of them except a daughter, Khurshid Jahan, died young. Asad
Ali Khan was the son by his second wife. He was a bosom friend of Vilayat Husain
Khan (Agra) and Ayodhya Prasad, the well-known Pakhawaj player of Uttar Pradesh.
He died in Rampur on July 17, 1964.
From: Musicians of India by Amal Das Sharma, published by Naya Prokash (1993)
We are very grateful to KF, the original compiler of these recordings, who
created these two CDs for his own collection and shared them generously. Recordings on CD 2 courtesy of VN.
Ustad Rajab Ali Khan & His Descendants
In the last centuries
the court of Jaipur was the musical center of Rajastans. The generous patronage
of Maharaja Ram Singh II assembled in his ruling times (1835 - 1880) numerous
instrumentalists, vocalists and dancers in Jaipur. Among them was the Binkar
Ustad Rajab Ali Khan, who was teaching also the Maharaja himself on the
Bin.
Since Ustad Rajab Ali Khan did not have a son, he passed on his art to his nephew Ustad Musharaf Ali Khan, who became later court musician in Alwar.
Ustad Musharaf Ali Khan performed as one of the first Indian musicians in Europe
- 1886 in London. Around the beginning of the 20th century he and Ustad
Jamaluddin Khan where two of the most famous Veena players of the country. His
golden painted Veena can still be found today in the Alwar Palace
Museum.
Ustad Sadiq Ali Khan (1883 - 1964), one of the five sons of Ustad
Musharaf Ali Khan, took over the position of his father in Alwar after his
death. Later he shifted to Rampur, another famous musical center. Here he lived
until the end of his life as court musician of Nawab Raza Ali Khan.
At
the court environment of Rampur also his 1937 born son Ustad Asad Ali Khan was
growing up. At the age of ten he began his lesson on sitar. Four years later his
father started to teach him on the Rudra Veena. It followed another thirteen
years of intensive schooling and practice (riyaz) in which he also accompanied
his fathers concerts.
Ustad Asad Ali Khan is today the last famous
musician who combines the mastery of the traditional Been techniques with
profound knowledge of the raga. His family tradition makes him also to be one of
the last representatives of the Khandarbani, one of the main styles of the
Dhrupad.
This mainly on the Been played style is known for the precise
control of the microtonal fineness and the simultaneous ornament rich
development of the melody. With worldwide concerts and classes to Indian and
Foreign students he works for the continuation of the Rudra Veena tradition. His
nephew Zaki Haider lives and learns with him since his childhood. Beside that
Ustad Asad Ali Khan teaches also some other disciples on the Rudra Veena.
For more information on the Rudra Veena, its masters and its history see:
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