As the Mouloud, the celebration of the birth of the prophet Muhammad (salallah aleihi wa salam), is coming soon (on the 24th of january) and in some Sufi communities the celebrations have already started, I post here a beautiful Mouloud cassette which I bought in Brussels in the 1980s.
Thursday, 17 January 2013
Tuesday, 15 January 2013
Rubab Mangi - Naghma Sazun - Pashto Rubab Music - Cassette from Pakistan
This seems to be Pashto Rubab music from the region of Peshawar in Pakistan, not far from the border to Afghanistan.
Side 1 (30:47)
Side 2 (30:32)
Many thanks to Danny again for sharing this cassette.
Sunday, 13 January 2013
Historical Recordings from Azerbaijan - Part III - Kececi Oglu Mehemmed (1864-1940) - LP published in Azerbaijan in 1991
The third LP of a series of three LPs, published in Azerbaijan in 1991, with historical recordings from the beginning of last century by three of the greatest Mugham singers of those times, contains performances by Kececi Oglu Mehemmed (1864-1940). The recordings were made in 1906.
Kecəci Oğlu Məhəmməd
(1864 - 1940)
(1864 - 1940)
Side 1:
1. Humayun (3:17)
2. Shushtar (3:12)
3. Shushtar Tesnifi (3:03)
4. Coban Bayati (3:05)
5. Heyrati Tesnifi (3:05)
6. Arak (3:05)
7. Segah (3:04)
1. Humayun (3:17)
2. Shushtar (3:12)
3. Shushtar Tesnifi (3:03)
4. Coban Bayati (3:05)
5. Heyrati Tesnifi (3:05)
6. Arak (3:05)
7. Segah (3:04)
Side 2:
1. Rahab (3:13)
2. Tac (3:01)
3. Tehranim (3:02)
4. Yetim Segah (3:17)
5. Osmanli Tesnifi (3:04)
6. Qarabag Shikesti (3:07)
Many thanks to Danny for bringing this LP from Azerbaijan.
Friday, 11 January 2013
Historical Recordings from Azerbaijan - Part II - Meshedi Mehemmed Farzelioglu ( ? - 1962) - LP published in Azerbaijan in 1991
The second LP of a series of three LPs, published in Azerbaijan in 1991, with historical recordings from the beginning of last century by three of the greatest Mugham singers of those times, contains performances by Meshedi Mehemmed Farzelioglu ( ? - 1962) (also written as Məşədi Məhəmməd Fərzəli oğlu). The recordings were made between 1906 and 1914.
Side 1:
1. Budaq Sari Genceli (3:13)
2. Hesar (3:01)
3. Shushtar (3:01)
4. Alma (2:58)
5. Durn Gedek (3:24)
6. Bayati (3:08)
Side 2:
1. Bayati-Esfahan (3:49)
2. Celal Xaliq (3:14)
3. Ceyranim (3:02)
4. Yeri Dam Üste Yeri (3:05)
5. Bayati Ecem (3:20)
6. Tesnif (3:16)
Many thanks to Danny for bringing this LP from Azerbaijan.
Thursday, 10 January 2013
Historical Recordings from Azerbaijan - Part I - Cabbar Qaryagdioglu (1861-1944) - LP published in Azerbaijan in 1991
We start here to post a series of three LPs, published in Azerbaijan in 1991, with historical recordings from the beginning of last century by three of the greatest Mugham singers of those times. We start with the most famous: Cabbar Qaryagdioglu (his name is also written as Jabbar Garyagdyoglu).
"Jabbar Garyagdyoglu (Jabbar Mashadi Ismayil oglu’s stage name) was born on 31th
of March in 1861 in Shusha and died on 20th of April in 1944 in Baku. The khanende (singer) is one of the eminent khanendes who played a big and important role in
Azerbaijan music history. A newer stage of khanendes school is closely bound
with his name. Jabbar Garyagdyoglu got his education in Shusha in Kharrat Gulu’s
class.
Having a very wide diapason and charming voice he was compared with the well-known italian singer Caruso. Russian poet Sergey Yesenin called
him “The prophet of Eastern music”. Getting well-known in Karabakh, Ganja,
Shirvan, Baku mugam meetings Jabbar also became famous in Iran, Transcaucasia
and in Middle East countries.
Jabbar Garyagdyoglu was the first in music
histort who sounded mugam from theater and concert stages. Thus, in 1897 Jabbar
Garyagdyoglu was the performer of Majnun in “Majnun over Leyli’s grave” by
Abdurrahim bey Hagverdiyev.
Khanende Jabbar created a trio which included in
it tar player Gurban Primov, and kamancha player Sasha Oganezashvili and this
trio performed for 20 years. During 1906-1912 Jabbar Garyagdyoglu’s performs was
recorded by the “Sport-Record”, “Ekstrafon” and “Grammafon” stockholder
companies in Moscow, Warsaw and in Kiev.
Returning from Warsaw in 1912
he gave “Sharg konsertileri” (“Eastern concerts” name of program) in Moscow.
Different from former artists Jabbar firstly sang gazals (poems) in mugams and
tasnifs in Azerbaijan language. “Istekanin deshilsin”, “Tiflisin yollari”,
“Irevanda khal galmadi”, “Nakhchivanin gediyinden asheydim” tasnifs was created
by Jabbar.
Jabbar Garyagdyoglu was the winner of the Transcaucasia Art
Olympiad held in Tiflis (|Tbilisi) in 1934. Seyid Shushinski, Bulbul, Khan
Shushinski, Zulfi Adygozelov and many others continued Jabbar Garyagdyoglu’s
traditions."
from: http://www.mugamradio.az/performers/khanendes-singers/jabbar-garyagdyoglu
The recordings on this LP were made between 1905 and 1915.
Side 1:
1. Simai-Shems (2:46)
2. Mensuriyye (3:04)
3. Xumar Oldum (3:03)
4. Gyl Achdi (2:55)
5. Yetim Segah (3:13)
6. Deshti Tesnifi (3:03)
7. Manendi-Moxalif (2:44)
8. Mahur Tesnifi (2:58)
Side 2:
1. Qargamisham (3:08)
2. Mahur Tesnifi (3:08)
3. Arazbari (3:02)
4. Bayati Qacar (3:24)
5. Mirza Hüseyn Segahi (3:03)
6. Mahur Tesnifi (3:57)
7. Qarabag Shikestesi (4:07)
Many thanks to Danny for bringing this LP from Azerbaijan.
Tuesday, 8 January 2013
Parisa & Ensemble Darvish - Bayat-e Tork - Copy of an Iranian Cassette from the 1970s
Parisa (or Parissa), born 1950, is one of the foremost female singers of Iran. She studied with the famous Radif master Mahmud Karimi (1927-1984) and with Ostad Dariush Safvat (born 1928). We present here a cassette we bought in the 1980s in an Iranian shop in London. This cassette has better sound quality than other edtions of the same recording circulating in the Iranian community, even better than the CD. This cassette, manufactured in England, contains the mode Bayat-e Tork recorded in Iran before the revolution. See more on the artist on her website: http://www.parissa.org/05_biography/biography.htm
The Ensemble Darvish was directed by Santoor player Reza Shafieian (born 1941). The Tar and Setar player might be Dariush Tala'i.
Bayat-e Tork (both sides joined into one track) (38:02)
1. Tasnif Mehrabani
2. Chaharmezrab Santoor
3. Avaz (singing) & Nay
4. Avaz & Tar (in reality Setar)
5. Avaz & Kemencheh
6. Tasnif Hamchu Farhad Shadeh
7. Chaharmezrab Nay
8. Zarbi Tork
9. Avaz & Tar
10. Tasnif
11. Zarbi Reng
Friday, 4 January 2013
Yunus Rajabi (Rajabiy) (1897-1976) - Yunus Rajabi performs Uzbek National Songs - Double LP Melodiya
A double LP of solo performances, partly from the repertoire of the Shashmaqam (LP 1), by the great master of Shashmaqam (see here his complete Shashmaqam).
Side 1:
1. Bayyot I (Fuzuli) (8:51)
2. Bayyot II (Miskin) (4:18)
3. Dugoh I (Fuzuli) (5:22)
4. Qalandari (Mukimi) (3:20)
Ensemble of national instruments
1. Bayyot I (Fuzuli) (8:51)
2. Bayyot II (Miskin) (4:18)
3. Dugoh I (Fuzuli) (5:22)
4. Qalandari (Mukimi) (3:20)
Ensemble of national instruments
Side 2:
1. Ushshok (Navoi) (7:14)
2. Chorgoh (Yu. Saryomi) (8:24)
3. Adoyi va Asiri (Furkat and
Miskin) (7:04)
Quartet of national instruments (1)
Ensemble of national
instruments (2, 3)
Side 3:
Uzbek national songs:
1. Kucha Bogi (Street garden) – I (Mukimi) (6:51)
2. Kucha Bogi (Street garden) – II (Navoi) (5:47)
3. Sarparda (Navoi) (6:52)
Ensemble of national instruments
Side 4:
1. Kuygay (Yu. Rajabi – Kh. Olimzhon) (2:51)
2. Girya I (national music, Navoi
and Mukimi) (7:30)
3. Girya II (national music, Bobir) (5:20)
4. Koshki (If only) (Yu. Rajabi –
Navoi) (3:38)
Ensemble of national instruments (1-3)
Orchestra of national
instruments (4)
Thanks to Danny for sharing this double-LP
and to Berdak Bayimbetov for the translations and transcriptions.
Wednesday, 2 January 2013
Sunday, 30 December 2012
'Alan Faqir - Vol. 4 - Sufi Music from Sindh - Cassette from Pakistan
Another beautiful casette by the legendary Sufi singer.
Side A (23:57)
Side B (24:01)
Many thanks again to Danny for sharing this cassette.
Friday, 28 December 2012
Zarsanga - Pashto Folk Music - Lok Virsa FK 0015 - Cassette from Pakistan
Beautiful folk music accompanied mainly on Rabab, Flute and Dholak.
Side A (31:10)
Side B (30:46)
Many thanks to Danny for sharing this cassette.
Zarsanga is a famous Pashtu singer widely known as The Queen of Pashtun
Folklore. She was born in 1946 at Zafar Mamakhel, a small village of Lakki
Marwat. She belongs to a nomadic tribe that used to settle in Afghanistan in
summer and stay in Lakki during the winter. In 1965, she married Mulajan, a
resident of Sarai Naurang (Bannu) who was also a nomad. Many people believe
she is married to popular folk singer Khan Tehsil, but she denies the
rumours:
“Actually I sang with him on many occasions and most of our joint
songs got immense popularity. He is not my husband he is just like my own
brother”.
Zar Sanga has four daughters and two sons. Only Shehzada, her
second son, has stepped into the world of music. At the start of her career, Zar
Sanga would listen to the songs of Gulnar Begum, Kishwar Sultan, Bacha Zarin
Jan, Khial Mohammad, Ahmad Khan and Sabz Ali Ustad. “I liked all of them, but I
have maintained my own traditional way of folk singing. The people would
earnestly enjoy my songs on both sides of the Durand Line (Pakistan-Afghan
border). “I got no education so I cannot sing from a written paper. Most often I
sing the songs that are composed and created by the common folk. However my
husband also wrote some of my popular songs”, she said. A French researcher,
Miss Kia, who worked with Radio France, once said Zar Sanga’s voice was the only
mountainous voice in the Pashto language. Miss Kia took Zar Sanga to France for
a musical concert. In France, many people were fascinated by her sweet melodies.
The Pashto singer described a concert in London: “I was singing a traditional
folk song in Pashto about the mountains and gypsy life of the tribals and when I
finished it, a British person came close to me and proudly remarked that he was
also a gypsy.” The famous numbers of Zar Sanga, which she never misses at any
musical event she plays are Da Bangriwal Pa Choli Ma Za (her first-ever song on
radio), Zma Da Khro Jamo Yara, Rasha Mama Zwi De, Zma Da Ghrono Pana Yara, and
Kht Me Zanzeri De. Zar Sanga has been to Germany, Belgium, Iraq, Dubai, America,
France and UK and has enthralled thousands of Pakhtuns and local people with her
voice.
Thursday, 27 December 2012
'Alan Faqir - Vol. 1 - Sufi Music from Sindh - Cassette from Pakistan
Side A (23:05)
Side B (23:22)
Many thanks to Danny for sharing this cassette.
'Alan (Allan) Faqir (1932-2000) was one of the foremost exponents of Sufi music
in Pakistan. He was particularly known for his ecstatic style of performance
marked with extreme devotional rhetoric and sufi dance singing. Deprived of a
mother's love, he went off in search of someone who could replace that love. He
arrived at the tomb of Shah Abdul Latif Bhitai in Bhit Shah and started living
there. Faqir's memory was sharp even though he could not read and write. Hearing
the traditional Latifi Raag sung every night touched his heart. Encouraged by
Faqir Zawar Qurban Ali Lanjwani and Moolchand Maharaj, he began singing Bhitai's
poetry at the shrine and ultimately spent twenty years there until meeting
Mumtaz Mirza, who introduced him to Radio Pakistan and ptv in Hyderabad and
helped him to learn the correct pronunciation of Bhitai's poetry. Eventually, he
became a performing legend.
Sunday, 23 December 2012
More Rudra Veena - Anant Bedekar (1921- ? )
Side 1:
Raga Malkauns - Alap (6:41)
Side 2:
Raga Malkauns - Jod (6:24)
Additional tracks:
Raga Madhukauns - Alap (4:50)
Raga Madhukauns - Jod (12:56)
Many thanks to KF for sharing generously these rare recordings.
"Born in a family of music lovers, Anant Bedekar also played the sitar and
the surbahar. His music, he said, was neither in the dhrupad nor in the khyal
style. His expressive playing technique and the singular sound of his bin made
him an original binkar at any rate, unjustly condemned to obscurity.
Anant Bedekar (1921 - ?), doctor and binkar, enjoyed the mixed instruction
of Laxman Rao Chavan, son of Balvant Rao Chavan, one of Bande Ali Khan’s
disciples."
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